Tuesday, January 18, 2005

Inquiry into Loss: Revisited

Hospital leaves accumulate in loss. Pedestrians respond to her blouse. Halves exploit the accessible fold to napkin. Prompts thought inflicted with distance. Contiguity imposes the alignment. Staalplaat or steel plate in Dutch. Three aisles average to film, regardless of posture. "We waited an hour and I said fuck, let's go! She starts kneeling at 6." A thin horizontal line with uninterrupted undulant curves ~~~~~~~~~~ represent the ambiguous tension. Basil cleansed in cold water exudes the evidence: a quick promise.

Weather equivalent to unexpected complexion , accelerate the inherent dialect. Grid consent to numerical assignments. Concession to detergent package with an entry fee. Bracket with an actual lock to emphasize the persistence. Clients prefer "lamp" to evoke the interior. Furniture conducive to thought, essentially requires a tangible response. I was hoping for an image inferred from loss as an easy reference. Two circles O O extending as sequential intervals attract train fares calibrated by kilometers.

Two identical lines =============== culminate in thought. "The final slope of the ramp ascends towards the solarium." Distance imbue with repetitive folds, acquiring discipline. Protrusion restricted in concrete allude to adjacent vehicles. Envelope is a permanent description. Cindy Sherman embellished in anonymity reinforces the visual evidence: a quick promise. Plate replete with proposals. Weather and complexion extracted from sand remain preferable. Fabric with exact measurements.

to be continued

Ray Craig