ambiguous dialect (working notes February 25

Friday, Feb 25

add canvas, delay
acacias dissolve eluding aisles

imbue with obtains
napkins accumulate cassette complexion

response impels fractured foliage
aquarium concedes shirt

“asphalt imputes moisture”
leaves replenish pond

arm ensures acrylics on cassette
goggles consume film

abrupts window
inhabitants scoop knees

**

initiate moisture
aquarium remains contagious

camera adapts to gravity
excess enacts embankment

opaque adherence

**

tangerines squat
address adheres to Genji

foliage distracts canvas
souvenir extinguishes to Shibuya

acacias anticipate asphalt
contestants proceed

**

napkins accrete on canvas
moisture splotch with cows

goggles swarm to capacity
rehearsal to aquarium

**

peel kilometers from skin
luggage prepares in souvenirs

spatter, infatuate, acrylics persuade
adjacent to intervals

**



almost lamp, swathe in thistles
acrylics latch their subway leaves

impersonate variables inhabit delay
clasp excessive swimmers

**

lapse to adjacent cleavage
“she prefer routes without signatures”

replete absence
ankles moist in tattered squares

bring slats, procure goggles
hunch in fabric amber

film intersects with language

**

two girls, about eighteen
detach their shoulders

ice-espresso, walk back
erosion is visible

**

delirious with “strawberry wrong”
excessive ounces cleave, scumbles delay

absence accelerates moisture in vacant amber
sleeves further with roost appetite

**

anxious to scatter
situate the batch in stains

lamps to mention, wind
darkens in stoop, anywhere, leaves

tinge with gravity

**

leaves surge from shade as the fold
participates in thought

acrylics attract amphibious statistics

aquarium adjacent to pond, boating
facilities in August

contestants adapt to excessive moisture
recent acres quench halves at loom


**

delay explodes with baby: “suicide assassin”
AGF: Language is the Most

Gerhard Richter: abstracts on aluminum
Phil Niblock: concrete film, etchings and strings apart


Ray Craig