Inquiry into Loss

Inquiry into Loss


Pavement tinged with wet leaves accumulate in loss. Crouched silhouettes emerge as an effective accordion brochure. Musicians respond to her blouse. Halves exploit the accessible fold to a green napkin.

**

Language prompts the thought to an image inflicted with realism and distance. Contiguity imposes the alignment. Basil cleansed in cold water exudes the evidence: a quick promise. Staalplaat or steel plate in Dutch.

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Empty thread spools with black faces illustrated by Crumb.
Three aisles average to film, regardless of posture.
"We waited an hour and I said fuck, let's go! She starts kneeling at 6."
**

A thin horizontal line with uninterrupted undulant curves ~~~~~~~~~~ represent the ambiguous tension.

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Weather equivalent to an envelope immersed in unexpected complexion accelerates the inherent dialect. Grid replaces the acoustic consent to numerical assignments. Concession to the detergent package with an entry fee? Bracket with an embossed circle [o] invigorates the flat surface, an actual lock to emphasize the persistence of dub.
**

Clients prefer "lamp" to evoke the interior.

Furniture conducive to thought, essentially requires a tangible response.

**

I was hoping for an image inferred from loss as an easy reference.

Two circles O O extended as sequential intervals attract train fares calibrated by kilometers.

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Two identical lines =============== culminate in thought. "The final slope of the ramp ascends towards the solarium." Distance imbued with repetitive folds acquire discipline. Protrusion restricted in concrete alludes to the adjacent vehicles.

**

Envelope is a permanent description.

Cindy Sherman embellished in anonymity reinforces the visual evidence.

Language becomes an image replete with acoustic proposals.

**

Weather deteriorates to a thought.

Complexion extracted from sand remains preferable.

Fabric with exact measurements.

Atmosphere provoked by a partial entrance spindles to an airport embrace?

**
Sand is an accurate complexion of loss. "Mushroom with an apricot fragrance." Your flight back from Chicago arrives without a delay. Film aisles accrue to the length of a new dialogue.

**

An acoustic allurement: realism attentive as a napkin inhabited by a fold.

**
Wet leaves correlate a pavement. Absence instead of closure modifies the thought. Kilometers aligned in a popular pause replaces the functional fold? Weather apprehends an identifiable interest. Gradual emptiness with precision. Language sustained in loss imbues the envelope. Wound exceeds the infliction. Acoustic peculiarities initiated by its referent.

**

Successive folds attached to a green napkin coheres in thought. Description trimmed short thwarts the visual indulgence. An envelope appropriated by language provokes the enactment of loss. Xenakis accelerate accurately as discipline. Weather adequate to sand is an irreversible complexion.

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Film brochure with push-pins. Intrusion dispense with the visual alliance. Swim constitutes a sufficient fold. Leaves disrupted by language perpetuate loss. Announcement to tears. The disc was damaged as a result of the adhesive smudge from the anti-theft strip that the store had inserted in the envelope. Apricot spread on toast. Weather instead of sand, dialogue replaces the length. Permanence comparable to an employee. Ming-Na Wen appear immediate in clothes. Subway includes an optional pause.

**

Grid is an obvious attempt to decrease the textual dimension. Pavement with isolated acacias, weather amplified by loss. New music for a changing society. Description is an appropriate gift. Visual requirements scribbled in pencil aligns a familiar response. Children arrive in Chinese speaking their favorite dialects. A continuous fold attached to language emerge as thought.

**
Musicians substitute their shoulders in your blouse. "Form creates its own content." Aquarium appropriates the luminous complexion. Enthusiasts cling to accessories. Rain perceived as a visual recognition of loss: wet adhesives blur in the window ~ the pedestrians are soaked. Language satisfied by an image completes the acoustic dispersion. Napkin is a familiar entrance that reveals the inseparable fold.

**

Calf roping is an immediate color with abrupt measurements.

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Weather secured as an evidence remain private. Fog discourages the drive across the bridge. Various thoughts accumulate with acoustic intervals. Ghana in the late 1950s. The distance between Bach and Joan Tower is 300 years. Sometimes, the room is only 46 minutes. Occupants correlate a furniture wrapped in dead crows. Language confines the image. Leaves affirm pavement as a popular access. Insert a new description to remove the obstacle? Realism sustained by envelops to a purpose.

**

5 months for the price of golf. "Dance furthers the plot." Distance is a familiar requirement sustained by envelopes to a purpose. Mo' Wax provides the new acoustic entrance. "Acrobats change the size of their bodies when they rotate." Subjectivity actualizes in the visual mandate. Interior with noise ~ an image apprehended by loss. "Let me pick up the Revlon for you." Furniture remains ambiguously nude.

**
Marlowe refrigerates the bread and "imputes a similar" disguise. 12 Tuesdays accustomed to film begins with the proximity of language: furniture inflicted by plates distend the interior.

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Weather equivalent to a spatial instance ~ atrium situates the passage.

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Inquiry into loss: wet leaves scattered on the pavement coincide with monk. Kilometers accumulate in accidents. Fabric extends to an optional plaid with complexion intact. Sometimes the dialect is Chinese money. The room is a private exercise complete with circus clothes. Familiarity distinguishes the interior.

**

An image apprehended by language complicates the instruction. The new weather arrives with measurements: diagrams of various sitting postures occupy my thought. Referents accrete the visual concept. Foliage familiar in blushed extremities prompt the entrance. The room interrupted by an aquarium is a suggestive complexion.

**
Cindy Sherman is impenetrable: language occurs as an immediate recognition of loss. The room interrupted by an aquarium is a suggestive complexion. Fabric designates the fold. Weather and leaves implicit in monk. The lack of appropriate packaging induces pilferage.

**

Monk affirms the acoustic texture.

Pavement insisting on leaves "recur repeatedly" in thought.

Napkins are easily dispensed.

Fold is an obvious eclipse left on the table.

**
Sundanese musicians immerse themselves in sadness as they perform anonymous compositions with rhythmic accuracy. Longing devours the distance. Flute with 2 voices: a man and a woman cling to the damp leaves. Monks are easily entertained with the promise of absence.

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An unexpected new occupant examines the room with pieces of furniture and chairs extracted from an optimistic Italian magazine. Pavement distinguished by acacias. Napkins appear on the table: white with the prospect of trust. The faint pause of acrylics on canvas situate the decisive entrance.

**

Pablo's latest release is only available in vinyl. Plates acquire an acoustic

consolation. The importance of weather suggest objective

reinforcement. Lamp commercials accelerate in Chinese ~ remain indispensable.

**

Envelopes collect in my thoughts.

Airport terminal...

hushed silhouettes...

My father explained to us in absence. August, 1983.

Wet leaves insisted by monks evoke loss.

**
Clothes photographed in warm weather. Pablo's latest release is only available in vinyl with an emphasis on dub. Napkins bunched in sufficient folds establish the description. An image imposed by language affirms the thought. Visual proximity minimizes the distance?

**

"Believe me, no matter how many dolls you collect, your childhood will remain irretrievable."

"I know, especially mine."

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Weather appropriates the visual requirement. The twilight between a bracelet and emptiness is a constant clearing. I'm immersed in your favorite complexion. Occupants insert a familiar description. Are Chinese collars always vertical? Halves receive "fold" to a green napkin and the popular taste of ice-coffee is specific to the dialogue. "Twins born three months apart." Knee infection. Ambivalence is an awkward plunge interlaced with foliage. Moon blurred by clouds. She's talking in her shirt. Two chairs bracket our arms complicated in a conventional movement.

**

Leaves weigh wet on the

pavement: weather provides

the immediate description

of loss. Envelope with

an acoustic approximation?

Rhythm interrupted by a

percussive fade.

**

Green napkin with an attentive fold. The visibility of thought ~ language is imminent. Plates lock to the persistence of dub. Musicians with their postures immersed in lamp, accumulate kilometers that were interrupted by absence. Incision clarifies the wound. Symptoms reveal an acoustic preference. Napkin repetitive in a popular fold. Aisles diminish to film. The vacant room is immediate: I respond with two chairs tinted blue. Description uttered in wet leaves acquire a new movement with minimal poses.

**

Kilometers accumulate to language measured in leaves. Distance imperative as an envelope provides the visual access. Plates signify an acoustic assertion emphasized in dub. Musicians continue to attempt your blouse. Waitress with her hair combed short retains the napkin with an accurate fold.

**

Pavement measured in leaves insinuate loss. Pablo retains an acoustic consistency locked in dub. It's almost eleven, thought applies "visual abstraction" to the interior: language perceived as a spontaneous image. Green napkins carefully folded in small splendors.

**


Blouse with foliage provides the response. Weather emerges as a negligible entrance.

Acacias specific to pavement reveal its visual application. Language intended as an inquiry into loss.

**

Summer is your favorite complexion. Folds continue to occur. Jelly Roll Morton begins with a familiar distance that eliminates the room. Pedestrians contain us as they stride stories in either direction ~ napkins tinge to a popular knot. Deliberate exposure. An image accustomed to language provides a legible response. Furniture with lamp is a practical description. "Ice-coffee please, with lots of ice." Envelopes uttered in loss accumulate to an acoustic passage.

**

Kilometers provoke absence dominated by sand. Film trimmed with aisles remain imminent. Furniture with lamp depicts an accurate description. Musicians complete the vernacular urge. Pavement inundated with acacias. Napkin attached to the table emerge as a spontaneous fold. Map requires a popular destination? Receive predicates the thought. Coffee in particular is a casual attempt.

**

Morning fog extends across the San Mateo Bridge.

Moisture applies to film.

Airport ambience with acoustic strategies.

Dub appropriates the plate.

Tourist with monk realizes the souvenir.

**

Leaves spent on monk retains a continuous

entrance. Napkin attributed to a popular

fold. Aisles accumulate

to film. Cold noodles with sesame sauce.

**

Unexpected occupants disrupt

the interior. Language intended as weather

involves a visual attempt. The decisive complexion

is sand permeated with loss.

**
Stout brewed with coffee. Table instead of napkins imperative to fold. An image apprehended by language isolates the thought: acoustic parameters. "All horizontal lines find their justification only in relation to other lines and vertical events." Pedestrians imply pavement infused with wet acacias. Grilled salmon extracted from the menu entertains the dialogue. Measurements complete the interior. Kilometers evoke visual discrepancies. Your address remains in my notebook ~ even though we haven't written to each other in years. Foliage is a negligible entrance. Insects provide a new description. Children and tourist unaccustomed to prosthetic knees. Leaves accumulate in monk. Subway passengers lamp themselves in perpetual coins. August is a popular complexion: weather arrives with an open blouse.

**

Geometric intensity ~ "Eleanor pauses at the library door." Kilometers are easily identified. Visual divergence from beverage acquires the fold. Pavement interrupted with wet acacias succumb to the acoustic advantage. Envelope with a "close-up" modifies the wound. Cindy Sherman impersonates femininity punctured by loss. Five identical chairs essential for jazz musicians.

**

Intervals relevant as missing one "0" before the 2 ends. Furniture instead of pavement dispensed with wet acacias reiterate absence. Napkin summarizes in green the conventional fold. Kilometers correlate Minimalism. Distance immersed in acoustic variables sustain the thought. Language is a decisive response replete with accessible peculiarities.

**

Aisles emerge as a narrow capacity prone to subway maps. Fold is essentially an alignment. Repetition substantiates the visual interest. Fabric requires a specific attempt? The plate opens with Pablo immersed in dub. Lumber ~ no, firewood. Leaves replaced by language retains an identifiable entrance. Weather with acoustic properties attach to a permanent description.

**

Some people with children are walking back to the pier. Clothes extracted from the weather is a sufficient assessment. Elevated dirt path with puddles along the beach. Tire tracks in the mud. Spatial fragmentation, remnants of rain with infinite continuity, acoustic possibilities. Thoughts accrue as a response to an image inferred from loss. Participants interrupted by wet sand eliminates the distance.

**

Cold weather ventilates the room. Marlowe wears my black jacket to work. Occupants cling to the new aquarium. Pavement scattered with wet leaves ~ a familiar appearance that inhabits my thought. Language as an abrupt application. "I saw you for a few minutes. " Interior with furniture evokes dialogue.

**

Weather embellishes the pavement. You really got me going....... Leaves comparable to monk accelerate to a complexion. Aisles collected in film ~ proximity roused by the nearest fold. "The thought is already complete at the beginning of the sentence." Kilometers interrupted with language affirms the obvious attempt. Envelope is essentially a partial entrance. Plates maintain an acoustic interest ~ Pablo immersed in dub. Musicians remove their clothes and cling to your blouse. Dear Asha, anonymity is contagious.

Ray Craig