Thursday, March 31, 2005

ambiguous dialect (working notes March 30

Wednesday, March 30

address: Robert Creeley: 1926 - 2005


Ray Craig

Tuesday, March 29, 2005

ambiguous dialect (working notes March 29

Tuesday, March 29

Recent Referrals:

kissing lamp | goat’s excretory system | orange hana 16

“Cindy Sherman photographed by Juergen Teller”

Andrew Fenwick fencing | swimsuit photo film actress, India

Definition of Fabric Tetoron | 60s furniture | napkin fold Phuket

**

when their leave head search

Michelangelo Antonioni detached from language
accepting The Dangerous Thread of Things

clad in Penguin, scribbling shirts in a notebook

film hypnotist in his sleep when clothes become memory


Ray Craig

Monday, March 28, 2005

ambiguous dialect (working notes March 28

Monday, March 28

definition of fabric tetoron

scissors cutting fabric, pigeons fold in Elevator Bath
is a definition born surprisingly gifted with KSAN 1971:
Aki no Tetoron wa Teijin des'


Ray Craig

Sunday, March 27, 2005

Inquiry into Loss

Inquiry into Loss


Pavement tinged with wet leaves accumulate in loss. Crouched silhouettes emerge as an effective accordion brochure. Musicians respond to her blouse. Halves exploit the accessible fold to a green napkin.

**

Language prompts the thought to an image inflicted with realism and distance. Contiguity imposes the alignment. Basil cleansed in cold water exudes the evidence: a quick promise. Staalplaat or steel plate in Dutch.

**
Empty thread spools with black faces illustrated by Crumb.
Three aisles average to film, regardless of posture.
"We waited an hour and I said fuck, let's go! She starts kneeling at 6."
**

A thin horizontal line with uninterrupted undulant curves ~~~~~~~~~~ represent the ambiguous tension.

**
Weather equivalent to an envelope immersed in unexpected complexion accelerates the inherent dialect. Grid replaces the acoustic consent to numerical assignments. Concession to the detergent package with an entry fee? Bracket with an embossed circle [o] invigorates the flat surface, an actual lock to emphasize the persistence of dub.
**

Clients prefer "lamp" to evoke the interior.

Furniture conducive to thought, essentially requires a tangible response.

**

I was hoping for an image inferred from loss as an easy reference.

Two circles O O extended as sequential intervals attract train fares calibrated by kilometers.

**

Two identical lines =============== culminate in thought. "The final slope of the ramp ascends towards the solarium." Distance imbued with repetitive folds acquire discipline. Protrusion restricted in concrete alludes to the adjacent vehicles.

**

Envelope is a permanent description.

Cindy Sherman embellished in anonymity reinforces the visual evidence.

Language becomes an image replete with acoustic proposals.

**

Weather deteriorates to a thought.

Complexion extracted from sand remains preferable.

Fabric with exact measurements.

Atmosphere provoked by a partial entrance spindles to an airport embrace?

**
Sand is an accurate complexion of loss. "Mushroom with an apricot fragrance." Your flight back from Chicago arrives without a delay. Film aisles accrue to the length of a new dialogue.

**

An acoustic allurement: realism attentive as a napkin inhabited by a fold.

**
Wet leaves correlate a pavement. Absence instead of closure modifies the thought. Kilometers aligned in a popular pause replaces the functional fold? Weather apprehends an identifiable interest. Gradual emptiness with precision. Language sustained in loss imbues the envelope. Wound exceeds the infliction. Acoustic peculiarities initiated by its referent.

**

Successive folds attached to a green napkin coheres in thought. Description trimmed short thwarts the visual indulgence. An envelope appropriated by language provokes the enactment of loss. Xenakis accelerate accurately as discipline. Weather adequate to sand is an irreversible complexion.

**
Film brochure with push-pins. Intrusion dispense with the visual alliance. Swim constitutes a sufficient fold. Leaves disrupted by language perpetuate loss. Announcement to tears. The disc was damaged as a result of the adhesive smudge from the anti-theft strip that the store had inserted in the envelope. Apricot spread on toast. Weather instead of sand, dialogue replaces the length. Permanence comparable to an employee. Ming-Na Wen appear immediate in clothes. Subway includes an optional pause.

**

Grid is an obvious attempt to decrease the textual dimension. Pavement with isolated acacias, weather amplified by loss. New music for a changing society. Description is an appropriate gift. Visual requirements scribbled in pencil aligns a familiar response. Children arrive in Chinese speaking their favorite dialects. A continuous fold attached to language emerge as thought.

**
Musicians substitute their shoulders in your blouse. "Form creates its own content." Aquarium appropriates the luminous complexion. Enthusiasts cling to accessories. Rain perceived as a visual recognition of loss: wet adhesives blur in the window ~ the pedestrians are soaked. Language satisfied by an image completes the acoustic dispersion. Napkin is a familiar entrance that reveals the inseparable fold.

**

Calf roping is an immediate color with abrupt measurements.

**

Weather secured as an evidence remain private. Fog discourages the drive across the bridge. Various thoughts accumulate with acoustic intervals. Ghana in the late 1950s. The distance between Bach and Joan Tower is 300 years. Sometimes, the room is only 46 minutes. Occupants correlate a furniture wrapped in dead crows. Language confines the image. Leaves affirm pavement as a popular access. Insert a new description to remove the obstacle? Realism sustained by envelops to a purpose.

**

5 months for the price of golf. "Dance furthers the plot." Distance is a familiar requirement sustained by envelopes to a purpose. Mo' Wax provides the new acoustic entrance. "Acrobats change the size of their bodies when they rotate." Subjectivity actualizes in the visual mandate. Interior with noise ~ an image apprehended by loss. "Let me pick up the Revlon for you." Furniture remains ambiguously nude.

**
Marlowe refrigerates the bread and "imputes a similar" disguise. 12 Tuesdays accustomed to film begins with the proximity of language: furniture inflicted by plates distend the interior.

**

Weather equivalent to a spatial instance ~ atrium situates the passage.

**

Inquiry into loss: wet leaves scattered on the pavement coincide with monk. Kilometers accumulate in accidents. Fabric extends to an optional plaid with complexion intact. Sometimes the dialect is Chinese money. The room is a private exercise complete with circus clothes. Familiarity distinguishes the interior.

**

An image apprehended by language complicates the instruction. The new weather arrives with measurements: diagrams of various sitting postures occupy my thought. Referents accrete the visual concept. Foliage familiar in blushed extremities prompt the entrance. The room interrupted by an aquarium is a suggestive complexion.

**
Cindy Sherman is impenetrable: language occurs as an immediate recognition of loss. The room interrupted by an aquarium is a suggestive complexion. Fabric designates the fold. Weather and leaves implicit in monk. The lack of appropriate packaging induces pilferage.

**

Monk affirms the acoustic texture.

Pavement insisting on leaves "recur repeatedly" in thought.

Napkins are easily dispensed.

Fold is an obvious eclipse left on the table.

**
Sundanese musicians immerse themselves in sadness as they perform anonymous compositions with rhythmic accuracy. Longing devours the distance. Flute with 2 voices: a man and a woman cling to the damp leaves. Monks are easily entertained with the promise of absence.

**

An unexpected new occupant examines the room with pieces of furniture and chairs extracted from an optimistic Italian magazine. Pavement distinguished by acacias. Napkins appear on the table: white with the prospect of trust. The faint pause of acrylics on canvas situate the decisive entrance.

**

Pablo's latest release is only available in vinyl. Plates acquire an acoustic

consolation. The importance of weather suggest objective

reinforcement. Lamp commercials accelerate in Chinese ~ remain indispensable.

**

Envelopes collect in my thoughts.

Airport terminal...

hushed silhouettes...

My father explained to us in absence. August, 1983.

Wet leaves insisted by monks evoke loss.

**
Clothes photographed in warm weather. Pablo's latest release is only available in vinyl with an emphasis on dub. Napkins bunched in sufficient folds establish the description. An image imposed by language affirms the thought. Visual proximity minimizes the distance?

**

"Believe me, no matter how many dolls you collect, your childhood will remain irretrievable."

"I know, especially mine."

**
Weather appropriates the visual requirement. The twilight between a bracelet and emptiness is a constant clearing. I'm immersed in your favorite complexion. Occupants insert a familiar description. Are Chinese collars always vertical? Halves receive "fold" to a green napkin and the popular taste of ice-coffee is specific to the dialogue. "Twins born three months apart." Knee infection. Ambivalence is an awkward plunge interlaced with foliage. Moon blurred by clouds. She's talking in her shirt. Two chairs bracket our arms complicated in a conventional movement.

**

Leaves weigh wet on the

pavement: weather provides

the immediate description

of loss. Envelope with

an acoustic approximation?

Rhythm interrupted by a

percussive fade.

**

Green napkin with an attentive fold. The visibility of thought ~ language is imminent. Plates lock to the persistence of dub. Musicians with their postures immersed in lamp, accumulate kilometers that were interrupted by absence. Incision clarifies the wound. Symptoms reveal an acoustic preference. Napkin repetitive in a popular fold. Aisles diminish to film. The vacant room is immediate: I respond with two chairs tinted blue. Description uttered in wet leaves acquire a new movement with minimal poses.

**

Kilometers accumulate to language measured in leaves. Distance imperative as an envelope provides the visual access. Plates signify an acoustic assertion emphasized in dub. Musicians continue to attempt your blouse. Waitress with her hair combed short retains the napkin with an accurate fold.

**

Pavement measured in leaves insinuate loss. Pablo retains an acoustic consistency locked in dub. It's almost eleven, thought applies "visual abstraction" to the interior: language perceived as a spontaneous image. Green napkins carefully folded in small splendors.

**


Blouse with foliage provides the response. Weather emerges as a negligible entrance.

Acacias specific to pavement reveal its visual application. Language intended as an inquiry into loss.

**

Summer is your favorite complexion. Folds continue to occur. Jelly Roll Morton begins with a familiar distance that eliminates the room. Pedestrians contain us as they stride stories in either direction ~ napkins tinge to a popular knot. Deliberate exposure. An image accustomed to language provides a legible response. Furniture with lamp is a practical description. "Ice-coffee please, with lots of ice." Envelopes uttered in loss accumulate to an acoustic passage.

**

Kilometers provoke absence dominated by sand. Film trimmed with aisles remain imminent. Furniture with lamp depicts an accurate description. Musicians complete the vernacular urge. Pavement inundated with acacias. Napkin attached to the table emerge as a spontaneous fold. Map requires a popular destination? Receive predicates the thought. Coffee in particular is a casual attempt.

**

Morning fog extends across the San Mateo Bridge.

Moisture applies to film.

Airport ambience with acoustic strategies.

Dub appropriates the plate.

Tourist with monk realizes the souvenir.

**

Leaves spent on monk retains a continuous

entrance. Napkin attributed to a popular

fold. Aisles accumulate

to film. Cold noodles with sesame sauce.

**

Unexpected occupants disrupt

the interior. Language intended as weather

involves a visual attempt. The decisive complexion

is sand permeated with loss.

**
Stout brewed with coffee. Table instead of napkins imperative to fold. An image apprehended by language isolates the thought: acoustic parameters. "All horizontal lines find their justification only in relation to other lines and vertical events." Pedestrians imply pavement infused with wet acacias. Grilled salmon extracted from the menu entertains the dialogue. Measurements complete the interior. Kilometers evoke visual discrepancies. Your address remains in my notebook ~ even though we haven't written to each other in years. Foliage is a negligible entrance. Insects provide a new description. Children and tourist unaccustomed to prosthetic knees. Leaves accumulate in monk. Subway passengers lamp themselves in perpetual coins. August is a popular complexion: weather arrives with an open blouse.

**

Geometric intensity ~ "Eleanor pauses at the library door." Kilometers are easily identified. Visual divergence from beverage acquires the fold. Pavement interrupted with wet acacias succumb to the acoustic advantage. Envelope with a "close-up" modifies the wound. Cindy Sherman impersonates femininity punctured by loss. Five identical chairs essential for jazz musicians.

**

Intervals relevant as missing one "0" before the 2 ends. Furniture instead of pavement dispensed with wet acacias reiterate absence. Napkin summarizes in green the conventional fold. Kilometers correlate Minimalism. Distance immersed in acoustic variables sustain the thought. Language is a decisive response replete with accessible peculiarities.

**

Aisles emerge as a narrow capacity prone to subway maps. Fold is essentially an alignment. Repetition substantiates the visual interest. Fabric requires a specific attempt? The plate opens with Pablo immersed in dub. Lumber ~ no, firewood. Leaves replaced by language retains an identifiable entrance. Weather with acoustic properties attach to a permanent description.

**

Some people with children are walking back to the pier. Clothes extracted from the weather is a sufficient assessment. Elevated dirt path with puddles along the beach. Tire tracks in the mud. Spatial fragmentation, remnants of rain with infinite continuity, acoustic possibilities. Thoughts accrue as a response to an image inferred from loss. Participants interrupted by wet sand eliminates the distance.

**

Cold weather ventilates the room. Marlowe wears my black jacket to work. Occupants cling to the new aquarium. Pavement scattered with wet leaves ~ a familiar appearance that inhabits my thought. Language as an abrupt application. "I saw you for a few minutes. " Interior with furniture evokes dialogue.

**

Weather embellishes the pavement. You really got me going....... Leaves comparable to monk accelerate to a complexion. Aisles collected in film ~ proximity roused by the nearest fold. "The thought is already complete at the beginning of the sentence." Kilometers interrupted with language affirms the obvious attempt. Envelope is essentially a partial entrance. Plates maintain an acoustic interest ~ Pablo immersed in dub. Musicians remove their clothes and cling to your blouse. Dear Asha, anonymity is contagious.

Ray Craig

ambiguous dialect (working notes March 27

Sunday, March 27

she offers lettuce to

if slope brambles with unexpected finches, weather is suitable.

swimmers remove their googles


Ray Craig

Saturday, March 26, 2005

Punish Horse (google poem)

Punish Horse (google poem)

The Three Times You Should Punish Your Horse ... that there are three times
you punish a horse for doing something wrong--never, never and never

That's why we teach our students that there are three times you punish
a horse for doing something wrong-- never, never and never

Don't punish your horse. Use your voice to express your enormous disappointment
in her. Then act completely disgusted by what she put in the waste can

Never punish your horse if she has an accident. She will not understand that
you are angry with her because she has soiled her sleeping spot

Never attack or punish a horse for being "disobedient." Just put her back to
work. The Three Times You Should Punish Your Horse

sex does not eat a horse never more subsequently
quartered by four horses, his limbs and body consumed by fire

punish horse, punish horse, unattended corpse
insects drone behind their arrival

for most horses, the whip is there to teach not to punish
the horse when she does something bad, they back off then, and punish it

Remove other horses from pasture; treats on ground, never punish horse once
caught. Can't Handle Feet. Swaying, leaning, rearing, jerking foot away

with the other saddle, the problem may be your saddle not fitting her well
we don't want to punish a horse for bucking if she is bucking out of pain

Do not punish a horse the moment after she stops bucking. It is never a good
idea to punish a horse after she has stopped doing something wrong

sometimes they have to use a hammer, but that is not to punish the horse


Ray Craig

ambiguous dialect (working notes March 26

Saturday, March 26

pojang –mahcha: food tent in Korean
hip hop in dub: two girls directly concrete

film hypnotist in his sleep when clothes become memory


Ray Craig

Friday, March 25, 2005

ambiguous dialect (working notes March 25

Friday, March 25

clad in Original Penguin or scribbling shirts in a notebook
otherwise, inappropriate summer

half x 2: nautical map + Kanamori Mutsumi
splitting sentences as deejay vocalist toast the memory of chairs

film hypnotists in their sleep
Cinema Herzog | Even Dwarves Started Small

“We were the generation of orphans”
1971 – 1976: Glen Brown showcases 9 versions of Dirty Harry


Ray Craig

Thursday, March 24, 2005

ambiguous dialect (working notes March 24

Thursday, March 24

Punish Horse (google poem)

The Three Times You Should Punish Your Horse ... that there are three times
you punish a horse for doing something wrong--never, never and never

That's why we teach our students that there are three times you punish
a horse for doing something wrong-- never, never and never

Don't punish your horse. Use your voice to express your enormous disappointment
in her. Then act completely disgusted by what she put in the waste can

Never punish your horse if she has an accident. She will not understand that
you are angry with her because she has soiled her sleeping spot

Never attack or punish a horse for being "disobedient." Just put her back to
work. The Three Times You Should Punish Your Horse

sex does not eat a horse never more subsequently
quartered by four horses, his limbs and body consumed by fire

punish horse, punish horse, unattended corpse
insects drone behind their arrival

for most horses, the whip is there to teach not to punish
the horse when she does something bad, they back off then

Remove other horses from pasture; treats on ground, never punish horse once
caught. Can't Handle Feet. Swaying, leaning, rearing, jerking foot away

with the other saddle, the problem may be your saddle not fitting her well
we don't want to punish a horse for bucking if she is bucking out of pain

Do not punish a horse the moment after she stops bucking. It is never a good
idea to punish a horse after she has stopped doing something wrong

sometimes they have to use a hammer, but that is not to punish the horse


Ray Craig

Wednesday, March 23, 2005

ambiguous dialect (working notes March 23

Wednesday, March 23

else says: intent forward
graphic environment mix writings accompanied by illness

a visual pause, speculation fills 26 employments
unable to find a babysitter, she wanted to bring her son to work

aquarium resume
“Do you find the uniform attractive?”

“The pants are ridiculous – big around the crotch
and tight at the ankles, like 1980s style jeans.

You can’t see my body.
That’s why I always show cleavage when I go out.”

dvd: red laser vs blue laser
Chinese Newlyweds: Season Three

Recent Referrals:

Alexander Kluge: cocoa
nylon stockings touch kiss dog

System D128
Mariko Kaga nude

blogspot cleavage semen
Chloe Sevigny

Facts About the Deer’s Excretory System
Endo Kenji

Yuke Yuke Nidome no Shojo
swimsuit film actress, Hindi

Eros Guide San Francisco Kyomi
“cinema is drama, not accident”

tsunami ghost
Japanese demon mask tattoo

porn Ceylon
Rorschach Mandarin Thai

horse punish
swimsuits and deer antlers

Jaipur girls
My Hair is Thinner than a Hair

pink 15
San Bruno shop location for Original Penguin

where is Burmese prostitute Zuzu now?

Hirokane Kenshi: souvenirs stray, adheres to sand
convince themselves in weather, erases walk

contestants arrive in prompt green often without anonymity


Ray Craig

daughter sees blemish

daughter sees blemish
reported missing from Phuket, Thailand

tsunami ghost gasping for stray dogs
monk scrubs skin with cassette

anonymous tongue offering lamp and rice
feet stubbles in mud


**

women and children return from the river
and smoke sago leaves to warm their mouths

brambles thickly clog in luminous stray


Simatalu, Indonesia


Ray Craig

Tuesday, March 22, 2005

ambiguous dialect (working notes March 22

Tuesday, March 22

v: two

what are you going to do when she walks naked?
when envelope lingers on her tongue


what are you going to do when she starts pasting scissors on her skin?
when she realizes there’s less peppermint in sadness

**

accident from a vague leaving
seaweed nipples, whispers and kisses in Chinese

rubbing her pussy as she pushes back
partials encourage skin

Five Lake Aquarium, Solano Ave

**

quick to vague similarities
suppose numerous pockets ask for uninterrupted memory

“Distance is a documentary but the premise is entirely fiction”

his film in recent years

**

understand the trains

tag often

& jump

**

“That Woman”

Bill Clinton confesses on television

implies

**

we were often deceived by rabbit clinging to dresser
we were often deceived by aliens arriving in folded shirts
deceived by else’s mouth kissing damp murmurs

we were often deceived by her ambiguous wound
screams slanting we were often deceived by abundant thistles
we were often deceived by her cleavage

deceived by else’s mouth waiting for rhododendron phrases
deceived by canvas spattering in else’s murmur
deceived by accumulating ruptures

we were often deceived by chairs moaning for identical clogs

**

An-hsiang Dim Fragrance
Ch”ang hsiang-ssu Eternal Longing
Chu-hua hsin Chrysanthemums Fresh
Lang t’ao sha Ripples Sifting Sand
Su-ying Sparse Shadows
T’iao-hsiao ling Song of Flirtatious Laughter
T’a so hsing Treading on Grass

**

Seven Poems for Dzama

One

rabbits with rifles guard children skating on ice
twelve chairs loom in the distance

four chairs assaulting lamp
two rabbits with rifles, watching

actress kissing amputee
rabbit tied to chair, rifle on the floor

two chairs licking amputee
rabbit with rifle, interrupts


Two

amputee, partially skin
distracts rabbit

amputee injures on rabbit
partials encourage skin


Three

erection with a reasonable length
skin entrance is mathematically correct

rabbit clings to amputee
scraping cleavage


Four

rabbit excrete wound between crawls
skin swelling with ambulance

tongue near stain teases amputee
skin swarming with injuries


Five

wound is rabbit inhaling dog rope
wound is rabbit moaning punish horse, punish horse, unattended corpse
wound is rabbit murmuring amputee smear on skin


Six

rabbit heaves to amputee drawings
unattainable skin


Seven

eaves arrive in rescuing plums
rabbit adapts to amputee

comb on the floor
idleness


Ray Craig

ambiguous dialect (working notes March 21

Monday, March 21

1700 Pearl Street, Alameda
7 or 8 blocks (driving distance) from her apartment

after a pause, suddenly language intersects with an image
type fast: skin clutters on skin, they lake a picture

staying close to the new rhythm, eyes glean
slideshows, quick inserts, comic panels, postcards from door

opens, Robert Duncan walks in
Jack Marshall and RD exchange greetings

standing awkward, a stranger browsing at books
join their conversation in quick silence

then JM introduces me to RD
we shake hands, trying not to follow his eyes crossing

**

driving by Robert Duncan’s pink house in Alameda


Ray Craig

Sunday, March 20, 2005

ambiguous dialect (working notes March 20

Sunday, March 20

“Magggie Cheung contemplating love and betrayal: In the Mood for Love”

Wong Kar-Wai interrupts Korean girl speaking Japanese

a few more boxes left to pack: unexpected toy Popeye ring: she said 85 dollars

**

1980s | Small Press Traffic | San Francisco
browsing at books, Robert Duncan walks in

Jack Marshall and RD exchange greetings

standing awkward, a stranger browsing at books
join their conversation in silence

then JM introduces me to RD
we shake hands, trying not to follow his eyes crossing

**

driving by Robert Duncan’s pink house in Alameda


Ray Craig

Saturday, March 19, 2005

Facts about the Deer's Excretory System: Version Three

Facts about the Deer's Excretory System: Version Three

comprehending such a multiplicity of facts, errors are nearly unavoidable
deer's horns are an article of export from Ceylon

it is a part of the deer's scientific knowledge, based on previous
vague thought as carriers of water, air, excretory fluids

part of the epididymis; or the corresponding part of the excretory duct
one of the circle of tubercles which form the bur on a deer's antler

dancehall chatter, System D128 directs Banned in Libya ... rambunctious wind
licked from deer's ear, climbing roses suited to coastal weather

these books tell the complete history of the vedic culture with the essence
his foot having the form of a deer's face was then pierced by a

caribou's a sort of snort, and the small deer's like that of a lamb
the history of education in England, follow up our common-school system to

see the history of two thousand years written in grass and verdure
it began to excrete from every pore of its body a thick, whitish

was all the more poignant because of her previous history of absurdity
if I slit a baby deer's throat because I thought it was something I had to


**

excretory systems) into the cloaca of the female to fertilize eggs
starting with the birth of triplets then

urinary excretion was significantly raised in all eight
peptides is deficiency of the phenyl-sulphur-transferase systems

the effects of a Taiwanese folk medicine (ligusticum, deer's blood
tortoise shell gelatin markedly increased

frightened or excited the ferrets tail bushes up, a musty scent is excreted
rabbit's measure 6.9, but the goat's only 4.1 and the musk deer's 2.0

h) If patient does not have a prescription or previous history of
rollers apply a pesticide to the deer's neck and shoulders

deer's experience can produce that odor but a wolf
carriers of water, air, excretory fluids

Jack-Pine Warbler 47: 32, biologists classify plants
history of migratory waterfowl hunting and its present relationship with

the nervous system of elk is divided into two basic parts:
success, the number of antler points did correlate with a red deer's harem

there is usually a history of animal bite. pain appears at the site of the bite
with extensions of the deer's habitat, the range of human infection

chantage: blackmail to prevent exposure of scandalous facts ... lexigraphy
system of writing in which each sign represents a word

nothing in the deer's experience can produce that odor but a wolf
which were vaguely thought of as carriers of water, air, excretory fluids

a streamer fly dressed with hair from a deer's tail, resembling a fish
a deer's antlers attacked with a hacksaw; a zebra stabbed with a sword

a pesticide-impregnated collar around a white-tailed deer's neck
take of deer's suet half an ounce; cow's marrow

insects, especially moths, excrete ester
Red-breasted Nuthatch forages on deer's back


Ray Craig

ambiguous dialect (working notes March 19

Saturday, March 19

bedroom window faces weather from east
rain glued to the street

boxes packed, about to leave, two blocks up
skin clings to skin: boating conflict

she has three names, maybe more
“You can last longer if a woman is lying on an elevated surface”

tattoo x 2: spine + assignment
they lake a picture

Tower Records x 2: Ian McShane + Joseph F Lamb
Stark Rags, 1908 – 1919


Ray Craig

Friday, March 18, 2005

ambiguous dialect (working notes March 18

Friday, March 18


scissors
cutting
fabric,
pigeon

folds in

half
realizes

pocket

a


few

didn’t



shot

secondhand
hair

tossing contest


she


folds

to

launder,

separate

clothings

approach

grid


Agony



by


Mark

Beyer:

cover

matted


in
teal
hangs
on the wall



sharing
the

same


microphone


scissors
realize
fabric,

folds
pigeon
in

half

pocket
a
few

didn’t

shot
secondhand

hair
tossing
contest


she
folds
to

launder,

separate
clothings

approach
grid

Agony
matted in
teal

hangs

on
the
wall

sharing
the
same

microphone


orange
cat

chasing

Amy and Jordan


Ray Craig

Thursday, March 17, 2005

ambiguous dialect (working notes March 17

Thursday, March 17

Rorschach: coin horses , scuba cut
email from jj: “wigga” (plural: “wiggaz”)

dispense 2 hours in Chinatown
Phil Niblock is my favorite season

“Red-Breasted Nuthatch forage in deer’s back”


Ray Craig

Wednesday, March 16, 2005

ambiguous dialect (working notes March 16

Wednesday, March 16


Facts about the Deer's Excretory System: Version Two

comprehending such a multiplicity of facts, errors are nearly unavoidable
deer's horns are an article of export from Ceylon

it is a part of the deer's scientific knowledge, based on previous
vague thought as carriers of water, air, excretory fluids

part of the epididymis; or the corresponding part of the excretory duct
one of the circle of tubercles which form the bur on a deer's antler

dancehall chatter, System D128 directs Banned in Libya ... rambunctious wind
licked from deer's ear, select climbing roses suited to coastal weather

these books tell the complete history of the vedic culture with the essence
his foot having the form of a deer's face was then pierced by a

caribou's a sort of snort, and the small deer's like that of a lamb
the history of education in England, follow up our common-school system to

see the history of two thousand years written in grass and verdure
it began to excrete from every pore of its body a thick, whitish

was all the more poignant because of her previous history of absurdity
if I slit a baby deer's throat because I thought it was something I had to


Ray Craig

Tuesday, March 15, 2005

ambiguous dialect (working notes March 15

Tuesday, March 15

look at the ceiling
and tell me what you see

subtitle clippings without permit
notebook address: Kawara

kilometers instead of visual properties
recipients, anonymous pedestrian

animated street names in Emeryville
removing her blouse in sadness

spectators suggest: subway itineraries
scissors paste movie on police, I was nine


**

Google Search: Facts about the Deer's Excretory System

comprehending such a multiplicity of facts, errors are nearly unavoidable
Deer's horns are an article of export from Ceylon, and considerable

it is a part of the deer's scientific knowledge, based on previous
were vaguely thought of as carriers of water, air, excretory fluids,

The part of the epididymis; or the corresponding part of the excretory duct of
One of the circle of tubercles which form the bur on a deer's antler.

dancehall chatter, System D128 directs Banned in Libya ... rambunctious wind
licked from deer's ear select climbing roses suited to coastal weather?

These books tell the complete history of the vedic culture with the essence
(33) His foot having the form of a deer's face was [then] pierced by a

caribou's a sort of snort,--and the small deer's like that of a lamb.
the history of education in England and follow up our common-school system to

it is to see the history of two thousand years written in grass and verdure,
it began to excrete from every pore of its body a thick, whitish,

was all the more poignant because of her previous history of absurdity.
If -I- slit a baby deer's throat because I thought it was something I had to

Do male deer look at lady deer's hindquarters? Do their hooves ever hurt from
standing ... But here's some facts for you. They shot him thirteen times.


Ray Craig

Monday, March 14, 2005

ambiguous dialect (working notes March 14

Monday, March 14

say
assassin
say

resume includes several Tuesday auditions
Dzama remains her favorite, hospital smears infection on skin

static with decay

scissors induce skin accessories
counting traffic with police, I was nine

naked butt question embarrasses contestant
squatting resolves unexpected girl, these lines are slideshows


Ray Craig

Sunday, March 13, 2005

ambiguous dialect (working notes March 13

Sunday, March 13

money kicks: Groucho embarrasses contestant
Japanese movie with police, I was nine

scissors exactly by tomatoes remain constant
unexpected girl, squatting enters question

zebra raisins induce counting
resolve their clothes, leaving skin accessories

bus memory: girl squatting, dress bunched up
naked butt, exposing to traffic


Ray Craig

Saturday, March 12, 2005

ambiguous dialect (working notes March 12

Saturday, March 12

zebra raisins induce counting

designers resolve their clothes
and sleep with lepers

with police, I was nine
tomatoes remain constant


Ray Craig

Friday, March 11, 2005

bright fabrics

bright fabrics
remember
at 19

replete with 60s furniture
citrus completely closer to cut

visibility: driver’s license

Mod Vespa: $4,299
midnight x 2: cowboy + eye

“she paints and draws constantly”

say
shouldn’t
say

“doorframes are only constant”

floor set to
corner five recalls


Ray Craig

San Francisco International Asian American Film Festival | 2005

San Francisco International Asian American Film Festival | 2005

SCHEDULE

SAT 03.12 | 230PM | Castro | YEAR12

SAT 03.19 | 500PM | Camera | YEAR19

WED 03.16 | 930PM | Kabuki | LIV16

FRI 03.11 | 700PM | PFA | ETHA12

TUE 03.15 | 930PM | Kabuki | PINK15

FRI 03.18 | 700PM | Camera | SLOW18

THU 03.17 | 715PM | Kabuki | CHIN17

TUE 03.15 | 700PM | Kabuki | TWEN15

MON 03.14 | 630PM | Kabuki | FROM14

SAT 03.12 | 700PM | Kabuki | IWAS12

SUN 03.20 | 1245PM | Camera | MONK20

MON 03.14 | 700PM | Kabuki | WHAT14

SUN 03.13 | 915PM | Kabuki | FISH13

TUE 03.15 | 845PM | Kabuki | LIST15

SAT 03.12 | 945PM | PFA | CUT12

SAT 03.22 | 945PM | Castro | DUMP12

WED 03.16 | 915PM | Kabuki | HANA16

SAT 03.02 | 1200PM | Castro | PAST12

ambiguous dialect (working notes March 11

Friday, March 11

selected shoppers in display
with bash, casting

hip eclectic lounge
surprisingly conversation

stretching silhouette fabrics
luggage postcards

**

Found poem: Scrolling Down

Pound
huddle

set out to
modern

generation
generation



104 | GO | MARCH | 05

**

precision cuts subject
“shirt with a skinny tie”

replacing buttons will determine dress

**

120 | Shirt by Original Penguin
I had to suit, how opted in just buttons

mopey sneakers from one fashion
accessories take change

citrus completely closer to cut
Asian models wrapped in Yves Saint Laurent

36 Marshall Street, London
Kuro-Neko Ninja: midnight lingers

access to cedar, memory movies
Sony expects 200,000


Ray Craig

Thursday, March 10, 2005

ambiguous dialect (working notes March 10

Thursday, March 10

factual ambulance injuries
midnight x 2: express + vultures

design deprivation
movies, those have else talking

opaque clothes: thought rumors

space , not the remnants of 40s
Japanese film address

airport confuses actress


Ray Craig

Wednesday, March 09, 2005

ambiguous dialect (working notes March 9

Wednesday, March 9

bright fabrics
remember
at 19

replete with 60s furniture
salmon print carpeting with orange wallpaper

visibility: driver’s license

Mod Vespa: $4,299
midnight x 2: cowboy + eye

“she paints and draws constantly”

say
shouldn’t
say

“doorframes are only constant”

floor set to
corner five recalls

**

“I make recycled CD jewelry, but nobody understands”

hands folding detergent
it’s fun in reverse: wasabi delicately blurs beverage

Neck Face besieged by pavement, abandons skin


San Francisco International Asian American Film Festival | 2005

SCHEDULE

SAT 03.12 | 230PM | Castro | YEAR12

SAT 03.19 | 500PM | Camera | YEAR19

WED 03.16 | 930PM | Kabuki | LIV16

FRI 03.11 | 700PM | PFA | ETHA12

TUE 03.15 | 930PM | Kabuki | PINK15

FRI 03.18 | 700PM | Camera | SLOW18

THU 03.17 | 715PM | Kabuki | CHIN17

TUE 03.15 | 700PM | Kabuki | TWEN15

MON 03.14 | 630PM | Kabuki | FROM14

SAT 03.12 | 700PM | Kabuki | IWAS12

SUN 03.20 | 1245PM | Camera | MONK20

MON 03.14 | 700PM | Kabuki | WHAT14

SUN 03.13 | 915PM | Kabuki | FISH13

TUE 03.15 | 845PM | Kabuki | LIST15

SAT 03.12 | 945PM | PFA | CUT12

SAT 03.22 | 945PM | Castro | DUMP12

WED 03.16 | 915PM | Kabuki | HANA16

SAT 03.02 | 1200PM | Castro | PAST12

Poems: Recent Postings

Alphabet Poem: Scrambled
posted 3/2


Alphabet Poem
posted 3/2


Partial as someone promising skin
posted 2/18


For more poem listings, see posting date 2/18 and 1/21


Ray Craig

Tuesday, March 08, 2005

San Francisco International Asian American Film Festival | 2005

France 1959 | 89 mins | 35 mm B&W | French w/E.S.

USA/China 2004 | 88 mins | 35mm Color | English & Mandarin w/E.S.

Thailand 2003 | 103 mins | 35mm | Thai w/E.S.

Hong Kong 2004 | 124 mins | 35mm Color | Cantonese w/E.S.

Japan 2004 | 93 mins | 35mm Color | Japanese w/E.S.

USA 1987 | 83 mins | 35mm Color

China 2003 | 98 mins | 35mm Color | Mandarin w/E.S.

India 2004 |195 mins | 35mm Color | Hindi w/E.S.

UK 2004 | 87 mins | 35mm Color

South Korea 2003 |118 mins | 35mm Color | Korean w/E.S.


Ray Craig

ambiguous dialect (working notes March 8

Tuesday, March 8

promise a new fold
floor set to schizophrenic

ing my father
missing


corner five recalls
beverage includes Twin Bracelets

visibility: driver’s license
Natalie Portman disguised as tabloid Vladimir

paper scrap
wraps sandwich

bright fabrics encourage designers
salmon print carpeting with monk wallpaper

“doorframes are only constant”
Nony Tochterman replete with 60s furniture

1952: Japanese American Citizens League


Ray Craig

Monday, March 07, 2005

ambiguous dialect (working notes March 7

Monday, March 7

half hand spilling detergent
“Cindy Sherman photographed by Juergen Teller”

his latest Todd Solondz, Palindromes
apartment, he explains, no similar injuries

where to question graphic aesthetic
film February: half hand cutting detergent

added two lines: intentional rupture
crop circle: aerial audience

room is immediate but wrong, blouse in a partial fold

**

acquire acacias in moisture
aisles trig without pause

belated thrums induce impact
peculiar splotch prompt squares

crimp with purchase
thought retrieves scarf

as kilometers lend a slight silhouette

shoulders reciprocate
these halves clad in august

clavicles veer attractive to aquarium
subtle locks less than a lamp

**

equivalents brim nave in a practical clasp

absence habituates film

**

contestant climbs down a rope ladder


Ray Craig

ambiguous dialect (working notes March 6

Sunday, March 6

sister arrives to aid wounded actors
identities turn suburban
traces salmon on skin, hospital existence

Found Poem: Plane Maker
Taiwan 2004 | 11 mins | Video Color | Mandarin w/E.S.
Director: Yen-ni Wang
The history of aviation, in origami

her birth mother, years later
internet jeanette
Manzanar: traces map on skin


Referral History: Jan | Feb 2005

amputee drawing
carnies head

pen, pencil nude silhouette drawings
Kumiko Akiyoshi

torso amputee
Ming-na Wen got fucked

detergent struction ingredient
Myra Hindly

skinniest actress
Kurt Weston: a chair is still a chair

Chinese swimsuits
stencils rhythmic gymnastics costumes

ming na wen measurements
chicken head necklace

kisu dog
Bang Em Smurf and Infirmary

Simatalu
guitar tattoo

amputee porn
tattoo on spine

Akiyoshi Kumiko nude
gymnast amputee

Jackets notes by Ismael Reed
poem pockets

Gertrude Stein you can be a museum
crip walk steps drawing

ming na wen stockings
crip walk dancers on camera

amputee rabbit
prudence farrow photo

waishatsu b-shop
February 2005 Man Shot Isan Bruno


Ray Craig

Saturday, March 05, 2005

ambiguous dialect (working notes March 5

Saturday, March 5

(untitled) San Bruno, CA | 2005

address Nishikawa Miwa, Kore-eda Hirokazu’s protégé
wuxia film saturates confession in Chinese
vaginal alternative
access: mechanical training film

x-rated swimsuits question juveniles
their beverage decides film

optional lines

strewn transparent uniform
vaginal weekend
monk nibbling hospital infection
recent static tethers umbrella

Recent Referrals:

ming na wen stockings
crip walk dancers on camera
kisu dog
waishatsu b-shop
February 2005 Man Shot Isan Bruno

prudence farrow photo

search result: Prudence was Mia Farrow’s sister
unable to speak, orange having at
“a single photo of Einstein adorned the bare white wall”
“I don’t need to dance”


Ray Craig

Friday, March 04, 2005

ambiguous dialect (working notes March 4

Friday, March 4

illuminate mechanical parameters
recognition situates funeral
complete Nagasaki dumplings
someone watches Hana and Alice
waitress on camera


San Francisco International Asian American Film Festival | 2005

France 1959 | 89 mins | 35 mm B&W | French w/E.S.

USA/China 2004 | 88 mins | 35mm Color | English & Mandarin w/E.S.

Thailand 2003 | 103 mins | 35mm | Thai w/E.S.

Hong Kong 2004 | 124 mins | 35mm Color | Cantonese w/E.S.

Japan 2004 | 93 mins | 35mm Color | Japanese w/E.S.

USA 1987 | 83 mins | 35mm Color

China 2003 | 98 mins | 35mm Color | Mandarin w/E.S.

India 2004 |195 mins | 35mm Color | Hindi w/E.S.

UK 2004 | 87 mins | 35mm Color

South Korea 2003 |118 mins | 35mm Color | Korean w/E.S.


**

email to tay

ay,

re title

beverage should not appear twice

alphabet poem

ok

ay


Ray Craig

ambiguous dialect (working notes March 3

Thursday, March 3

200 Larkin Street, San Francisco

“appreciate the design outside of its function”
“market-based indexes measure consumption not interpretation”

clients with survey: context opens frame
asian cinema
films have two
lately, crip walk every few hours
someone invented genre
was it too linear?

3081 Oakmont Drive, San Bruno

Recent Referrals:

ming na wen stockings
crip walk dancers on camera
kisu dog

she’s from postwar
memory, she says film embraces absence
“encounters architect”
aliens disguise as abduction
aching to television catalogue


Ray Craig

Wednesday, March 02, 2005

alphabet poem: scrambled

infects + beverage + skin + answer + contestant + question + swimsuits + hospital interrupts, contestant kissing skin + swimsuits + nipples + swimsuits + skin + question + lesbian + weekend + yes + contestant + x-rated beverage film + photographed + beverage decides film, hospital juveniles + once + yes + their nipples decides explicit swimsuits + x-rated answer + contestant + question + x-rated + reasonable + skin + film + unanimous + lesbian + weekend + nipples + skin + reasonable + hospital beverage infects their kissing, their reasonable skin + vampire infects hospital + infects + skin photographed + weekend + yes + x-rated + swimsuits + question + juveniles + their beverage decides film + answer + nipples + infects + contestant + photographed + mercenary + Zatoichi + question + their hospital questions + lesbian + ghost + decides + interrupts + skin + their beverage swimsuits, weekend nipples + swimsuits + skin + yes + Zatoichi + nipples + beverage + hospital infects skin, beverage ghost answer their swimsuits + contestant photographed , their ghost nipples + vampire + film + photographed + weekend their mercenary skin + infects + kissing + skin + reasonable + decides + unanimous + yes + beverage nipples question film + answer + swimsuits + photographed + beverage + hospital decides film, their beverage swimsuits + photographed + question + infects + lesbian + swimsuits interrupts skin + contestant + kissing + ghost + beverage + unanimous + reasonable + skin + beverage + photographed skin infects beverage +


Ray Craig

ambiguous dialect (working notes March 2

Wednesday, March 2

Émigré arrives in the mail
realizing weather, fluently ailing

in the least
downfall
context

exploit insects
design client enters language

infected skin soaks in detergent

comic mimics transvestite, crossing skirt, her leg sips up
scrap peeling from skin, tears tether to vague cluster


Ray Craig

alphabet poem

answer: beverage

contestant decides explicit film

ghost hospital interrupts juveniles kissing
lesbian mercenary: nipples once photographed

question: reasonable swimsuits

their unanimous vampire weekend: x-rated
yes, Zatoichi infects skin


Ray Craig

Tuesday, March 01, 2005

ambiguous dialect (working notes March 1

Tuesday, March 1, 2005

alphabet poem: v two

answer + contestant + question + swimsuits + hospital interrupts, contestant kissing skin + swimsuits + nipples + swimsuits + skin + question + lesbian + weekend + yes + contestant + x-rated beverage film + photographed + beverage decides film, hospital juveniles + once + yes + their nipples decides explicit swimsuits + x-rated answer + contestant + question + x-rated + reasonable + skin + film + unanimous + lesbian + weekend + nipples + skin + reasonable + hospital beverage infects their kissing, their reasonable skin + vampire infects hospital + infects + skin photographed + weekend + yes + x-rated + swimsuits + question + juveniles + their beverage decides film + answer + nipples + infects + contestant + photographed + mercenary + Zatoichi + question + their hospital questions + lesbian + ghost + decides + interrupts + skin + their beverage swimsuits, weekend nipples + swimsuits + skin + yes + Zatoichi + nipples + beverage + hospital infects skin, beverage ghost answer their swimsuits + contestant photographed , their ghost nipples + vampire + film + photographed + weekend their mercenary skin + infects + kissing + skin + reasonable + decides + unanimous + yes + beverage nipples question film + answer + swimsuits + photographed + beverage + hospital decides film, their beverage swimsuits + photographed + question + infects + lesbian + swimsuits interrupts + skin + contestant + kissing + ghost + beverage + unanimous + reasonable + skin + beverage + photographed skin infects beverage +



alphabet poem: v three

hospital interrupts skin
contestant kissing their x-rated beverage film

photographed beverage infects film
hospital juveniles, their nipples decide explicit swimsuits

hospital beverage infects their kissing
skin photographed their beverage film

lesbian ghost interrupts skin, their beverage swimsuits
contestant photographed their ghost nipples

hospital infects their swimsuit nipples
beverage nipples decides skin, their beverage swimsuits


Ray Craig

ambiguous dialect (working notes February 28

Monday, Feb 28

exhaling charred skin
to aquarium submerged in hospital

camera floor everywhere
their photos airport infects skin

“the hospital photographed each corpse it received”

**

ask their eyes for stories
camera infects skin

**

answer: beverage

contestant decides explicit film

ghost hospital interrupts juveniles kissing
lesbian mercenary: nipples once photographed

question: reasonable swimsuits

their unanimous vampire weekend: x-rated
yes, Zatoichi infects skin


Ray Craig